Wednesday, April 18, 2012

final teaser trailer

The code and conventions of thrillers


Codes and Conventions of Thrillers:


  • Has a very fast pace
  • Uses straight and jump cuts to keep up the pace
  • Music that adds to the tension
  • Low key lighting

The codes and conventions of a theatrical trailer and a teaser trailer


Theatrical trailer:

  • Longer than a teaser trailer
  • More of the storyline is revealed
  • Shows the dates the film will be released


Teaser trailer:

  • Usually up to 90 seconds long
  • Shows a small amount of the storyline
  • Won't show the exact date of the film, it would say something along the lines of "coming soon"
  • It is released before the Theatrical trailer

post production editing

due to varying weather conditions the amount of light varied in each scene.

we had to use tools on Imovie in order to correct this.

moreover to make the pace of our teaser trailer match the pace of our music we had to speed up some of our scenes by using this tool:

this enabled us to make out teaser trailer's speed slick.

Location

We chose this area to be one of our locations as it is a wooded, secluded area.

a perfect place or a muder to occur.










we also chose it becuase it is next to this open field, which was perfect for our chase scene:



Certification

We found it was best suitable for our teaser trailer to have a certificate of 15, due to the following BBFC certification guidelines:

Suitable only for 15 years and over

No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.

Discrimination

The work as a whole must not endorse discriminatory language or behaviour.

Drugs

Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.

Horror

Strong threat and menace are permitted unless sadistic or sexualised.

Imitable behaviour

Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised.

Language

There may be frequent use of strong language (for example, ‘fuck’). The strongest terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.

Nudity

Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.

Sex

Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.

Theme

No theme is prohibited, provided the treatment is appropriate for 15 year olds.

Violence

Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.


Thanks to the BBFC, we were able to make sure our teaser trailer was suitable for a 15 certificate.

Sunday, April 15, 2012

Music choices

For our final trailer we had to change music because of copyright issues on our previous choices. We decided to choose two songs from artists we had discovered were unsigned. We chose to crop these songs and then merge them into one for our trailer separated by a sound effect.
Our first song was stigma-
Our second song was... -
The songs we had previously chosen but were unable to use because of copyright issues were
Chase and Status- Fire in your eyes backing track - from 10 seconds in.
Pendulum- The tempest instrumental- from 1.53 seconds in.

We merged these songs together to give the audience a change in music because we felt this would keep their attention better.